Dapper Dan Redefines Luxury, Harlem Style, Decade After Decade

#Photos by Instagram

In an industry obsessed with looking to Paris and Milan, Dapper Dan looked to Harlem. While luxury houses crafted fantasies in European ateliers, he was stitching identity, pride, and resistance from a small boutique on 125th Street. Today, with over four decades of career behind him, he continues to prove that real haute couture is born on the street — in the urgent need to be seen.

Daniel Day, aka Dapper Dan, was born in 1944 in Harlem, New York. The son of a working-class family, he grew up surrounded by street dice games, jazz, and a Harlem brimming with contradictions. In the 1980s, he turned his environment into pure inspiration. He opened his boutique in 1982, and from that modest space, began redefining what luxury meant for African-American and Latino communities.

His formula was as subversive as it was genius: take logos from brands like Gucci, Louis Vuitton, and Fendi, and reinterpret them on leather jackets, tracksuits, and fur coats. It wasn’t counterfeiting — it was reverse cultural appropriation: taking symbols of exclusion and turning them into emblems of power. He was a designer before the world accepted him as one — a visionary before streetwear had a name.

His client list read like a hip-hop hall of fame: Mike Tyson, Salt-N-Pepa, LL Cool J, Eric B. & Rakim, and practically every icon of 1980s rap. But success came at a cost. Lawsuits from fashion giants over unauthorized use of logos led to a 1992 raid spearheaded by Fendi that forced the closure of his boutique.

The end of his story? Not even close.

In 2017, Gucci unknowingly reignited his legacy by replicating one of his iconic designs — without credit. The backlash was swift. But instead of turning away, Gucci did the unthinkable: they invited Dapper Dan to collaborate officially. Together, they reopened his legendary Harlem atelier — this time with full brand backing, but still rooted in his original spirit. He went from fashion outlaw to luxury insider, helping to reshape the global fashion narrative.

Now, at 80, Dapper Dan isn’t slowing down. He works as an author and speaker, launches capsule collaborations with brands like Gap, and remains a vital voice in conversations about fashion, race, and representation. His memoir, “Dapper Dan: Made in Harlem”, is a powerful testament to survival, style, and redemption.



He’s been named to the Time 100, his designs have been showcased in the MoMA, the Smithsonian, and honored by the Met Costume Institute. His Harlem atelier still operates today, dressing a new generation of artists, activists, and creators who understand that style can be resistance.

Dapper Dan doesn’t follow trends — he predicts and shapes them. He dresses bodies, yes, but more importantly, he dresses narratives. Stories of those once excluded from luxury. Stories of those who now walk tall — in a look that started in Harlem.

13 June 2025            Online Fashion and Art Magazine

Robbie Spencer Dresses Ideas, Not Bodies — Fashion’s Punk Oracle

#Photos by Instagram

There are stylists. And then there’s Robbie Spencer. A visual architect of desire, an alchemist of stylized chaos, a visionary who doesn’t just follow fashion — he redraws it with fresh blood and a punk attitude.



In a world saturated with images, Spencer cuts through the noise with a sharp scalpel and a militant gaze. With over a decade redefining the visual language of Dazed, his legacy spreads like an elegant, distorted shadow across the entire industry. He doesn’t create looks — he builds universes.

“Clothes aren’t enough. There has to be tension. A story. A crack in the surface where the light gets in,” he once said in an interview. That crack is where his magic lives.

Nothing in his work is accidental. Everything feels stolen from a vivid dream and thrown mercilessly onto the editorial canvas.
From wrapping Rihanna in alien lace to dressing Timothée Chalamet like a post-human dandy, Spencer reimagines masculinity, femininity, and everything in between with exquisite insolence.

His aesthetic — sharp, baroque, conceptual — drinks from surrealism, grunge, urban youth, 90s club kids, queer art, and something even rarer: honesty.

He’s not a decorator. He’s a storyteller.

More than a stylist, he’s an invisible director. His work with photographers like Willy Vanderperre, Harley Weir, and Nick Knight has produced some of the most haunting and poetic fashion images of recent years.

Magazines like AnOther, Vogue Italia, L’Uomo Vogue, Document Journal — they’ve all fallen under his spell. But it’s at Dazed where his impact has been most visceral: for 15 years, he was the aesthetic heart of the publication, steering its visual DNA into darker, stranger, more beautiful territories.

Now, as Executive Fashion Director, Spencer steps into a mutant phase: freer, more hybrid, more dangerous. From projects with Moncler and Givenchy to shows for Craig Green and Y/Project, his influence is everywhere — though you’ll never see it coming.

And that’s the brilliance of Robbie Spencer: he doesn’t impose a formula, he just leaves you wondering why the world hadn’t dressed like this before.

Maybe in 10 years, fashion history books will call him “the stylist of the post-gender generation.”

Or maybe “the eye that stripped fashion of its lies and dressed it in truth.”

Either way, one thing is clear:
Robbie Spencer doesn’t dress bodies. He dresses ideas.

13 June 2025            Online Fashion and Art Magazine

Madeline Argy Camps in Style with Samsøe Samsøe FW25

#Photos by Instagram

When you go camping, you know the drill: rope, tent, sleeping bag, stove, flashlight, food, water. The basics. But Samsøe Samsøe, the Scandinavian label with a sixth sense for functional style, reminds us that a mood is just as essential. In their new pre-FW25 collection, titled “Summer Camp”, they take survival gear and elevate it to an aesthetic — minimalist, wild, and completely wearable.

But the clothes aren’t the only highlight. The brand makes a bold move by announcing its first-ever official brand ambassador: Madeline Argy. Yes, that British internet sensation known for her chaotic-good energy, unfiltered storytelling, and “I-don’t-care-but-here’s-my-entire-life” vibe. A risky pick? No. A perfect one.

In the campaign visuals, Madeline wanders through nature — among trees, tall grass, textures that feel raw and real — wearing the collection with the kind of attitude that doesn’t perform, just exists. It’s not styled to death. It breathes. Light jackets, reimagined cargo pants, oversized parkas, boxy tees — all in earth tones, mossy greens, stone, muted rose and dusty pastels. The kind of palette that whispers instead of shouts. Cool without the costume.

And that’s the genius: “Summer Camp” isn’t literal, it’s symbolic. You don’t need a flashlight to see clearly if you know what you’re carrying inside. This isn’t “camping gear chic.” It’s a uniform for emotional freedom. It’s about losing yourself to find yourself again. It’s about motion, silence, and owning your own transformation.

The collection isn’t screaming for attention — and somehow, that makes it louder. No flashy logos, no trend-chasing, no desperate “look at me.” It’s clothing with its own quiet language, made for people who shift moods, change plans, and rewrite their own vibe daily. A wardrobe that gets it.

In her conversation with the brand, Madeline sums it up perfectly: summer isn’t a season — it’s a state of mind. And this “camp” isn’t a physical place; it’s a mindset. One where you disconnect from the noise and reconnect with lightness. With what feels good. With what’s real.

Sure, a trip to the forest is nice. But moving at your own rhythm, with pieces that don’t ask you to explain yourself? That’s better. And if you happen to throw on a Day Off mini bag or some thigh-high boots on your way there — even better.

"Summer Camp" is relaxed attitude with sharp intention, a quiet manifesto that says, “I dress for me, not the algorithm.”


And in this world? That’s almost revolutionary.

12 June 2025            Online Fashion and Art Magazine

The Attico FW25 Embraces Chaos, Duality, and Unfiltered Style

#Photos by Instagram

Coherence? Overrated. At least that’s the unapologetic stance of The Attico in its fierce new FW25 campaign, kicking off with a manifesto-worthy declaration:

“Coherence is a trap.” A statement begging to be tattooed on the back of every girl with a shapeshifting personality and a mood-dependent wardrobe. And that’s exactly the point: dressing isn’t about defining yourself — it’s about transforming. Shifting without explanation. Gilda Ambrosio and Giorgia Tordini make it clear — once again — that the The Attico woman doesn’t need to fit into anything.

This season throws out the rulebook. No fixed formulas. Just bold contrasts, deliberate contradictions, and a visual story that celebrates fluidity. One day she’s a power-dresser in an oversized shoulder-padded suit; the next, a slinky siren in a snake-print dress. Everything is valid as long as it matches who she is right now.

Because yes, duality is human — and also aesthetic. As Rosalía famously put it: “I’m very me — I transform.” And in every transformation, there’s a look to match. This collection gets it like gospel: your style doesn’t need to be coherent, it just needs to be true to who you are in the moment.

The trench coat becomes a hero piece; zippered cargo pants bring back interactive styling. The oversized varsity jacket channels early 2000s nostalgia — without slipping into costume territory. It’s retro, minus the clichés. And the accessories? Pure Attico punch: over-the-knee boots for a power walk, sculptural curved heels built for high drama, and mini bags like La Passeggiata and Day Off that say, “I’m out — but you’ll notice me.”

The color palette speaks softly, but firmly. Black, grey, beige, olive green — the hues of a woman who doesn’t need to shout to be seen. But that doesn’t mean she stays silent: deep wine and icy pink tones make surprise appearances, like a sudden lip bite in the middle of a calm conversation — “Now watch me.”

This collection dances between quiet sophistication and unapologetic boldness. Like a butterfly post-metamorphosis, The Attico woman emerges without needing to explain herself. Her style is a living statement: she wears it all, owns it all, and apologizes for nothing.

Because in the end, dressing isn’t about fitting in — it’s about expression. Being many things at once. Being messy, moody, contradictory. And doing it with purpose. The Attico gets that — and leans into it, with no script, no straight lines, and not a hint of needing approval.



The takeaway? Incoherence is actually honesty. Because the only narrative that matters is yours — and if it’s non-linear? Even better. That’s where real style begins.

12 June 2025            Online Fashion and Art Magazine

Myah Hasbany Reimagines Alien Lore Through Transformative Fashion Design

Myah Hasbany presents a deeply symbolic and personal final collection inspired by a little-known yet meaningful legend: the alleged UFO crash in Aurora, Texas, in 1897.

 According to local lore, a spaceship collided with a windmill, and the alien on board died on impact. Rather than publicize the event, the townspeople gave the extraterrestrial a Christian burial and collectively erased the incident from memory. Myah uses this story as a narrative foundation, imagining a world where the townspeople who covered up the crash begin to mutate and transform—physically and psychologically—as a result of suppressing the truth.

This idea of transformation is reflected in the silhouettes of her designs, which evolve from familiar, traditional shapes into strange, otherworldly forms.

One of the standout pieces is a hand-embroidered coat adorned with over 300,000 beads—a labor-intensive project that took her over a year to complete.

The coat not only showcases technical skill and dedication but also acts as a metaphor for the emotional weight of concealing what is different or uncomfortable. For Hasbany, this is more than just a fictional story—it mirrors real social dynamics she has observed growing up in Texas: the tendency to silence or erase what doesn’t conform.

This theme becomes even more resonant given the current political climate in her home state, where anti-LGBTQ+, anti-women, and especially anti-trans legislation is increasingly being passed. Through her fashion, Myah offers a subtle yet powerful critique of how “othered” identities not only survive but reshape the world around them—just as her fictional characters do in the town of Aurora.

Alongside her creative vision, Hasbany also reflects on the limitations within fashion education. She notes that many students are unaware of the wide range of roles available in the fashion industry until they start working for larger companies. She believes fashion schools should do more to expose students to these varied paths early on and help them develop their unique strengths accordingly.

Personally, she is committed to designing clothing for body types that have historically been ignored by mainstream fashion. She has long been frustrated by the lack of size representation on runways and the challenges of finding clothing that truly fits and flatters. Her goal is to change the narrative that certain bodies can't look fabulous.

One defining moment in her journey was a chaotic trip to Paris with a friend, during which they hand-delivered their portfolios to various fashion houses. The trip was a logistical nightmare, and she suspects many of the portfolios were discarded immediately.

Still, the act of putting herself out there proved crucial. Despite the awkward encounters, she ended up landing an internship at Maison Margiela—partly because they remembered her loitering in the lobby.

For Myah, that experience represents the importance of taking risks, even when success seems unlikely. It reaffirmed her mission to challenge convention and design with authenticity, courage, and purpose.

12 June 2025            Online Fashion and Art Magazine

Sabrina Carpenter and Prada Beauty Spark Magic in ‘Manchild’ Video

Sabrina Carpenter and Prada Beauty: A Power Duo in 'Manchild'

Sabrina Carpenter is continuing her reign as both a pop princess and beauty muse, this time deepening her glamorous collaboration with Prada Beauty in her latest music video, "Manchild."

The visual not only showcases her signature charm and cinematic flair, but also drops subtle — yet unforgettable — beauty cues that hint at an evolving creative partnership with the iconic fashion house.At the center of the buzz is a small, unexpected detail: a banana-shaped candy adorned with the Prada logo.

Far from being a random prop, the candy references Prada's playful archival banana print and symbolizes a whimsical new era in their branding. It serves as both an Easter egg for fans and a nod to a larger campaign in the works — one that blends the boundaries between high fashion, music, and beauty with bold, pop-infused storytelling.

This isn’t Sabrina’s first time integrating Prada Beauty into her visuals. In her previous hit, “Please, Please, Please,” she spotlighted the now-viral Color Changing Lip Balm, a product that has since become a cult favorite. Alongside it was Pradascope, the brand’s debut mascara, which added a sleek, high-fashion touch to her on-screen persona. In "Manchild," however, the beauty narrative is expanding further.

Sabrina’s glam in the video features not only the Pradascope mascara and the newly introduced Prada Light Highlighter, but also teases a mystery lip product — yet to be named — that fans are already clamoring to identify. The lip moment, paired with her ethereal, glowing skin and bold eye looks, suggests that more exclusive Prada Beauty products may be on the way.

The banana candy, while small in size, carries big implications. It represents the unique blend of camp, luxury, and clever marketing that defines both Carpenter's aesthetic and Prada’s ever-evolving identity. The collaboration feels authentic — Sabrina doesn’t just wear Prada; she embodies it.

Through her visuals, she transforms beauty products into storytelling devices, making every lipstick swipe or candy drop a symbol of something bigger: identity, rebellion, or playful seduction.

Speculation around a broader Sabrina x Prada Beauty capsule collection is growing. Will the mystery lip product become the next viral sensation? Is Prada preparing to launch limited-edition items tied directly to Sabrina’s visuals? While no official confirmation has been released, the signs are hard to ignore — and fans are watching closely.

One thing is clear: Sabrina Carpenter is not just a face for Prada Beauty — she’s shaping its future. With her finger firmly on the pulse of pop culture, and Prada’s innovative approach to beauty marketing, this partnership is proving to be one of the most exciting intersections of music and makeup in recent memory.

11 June 2025            Online Fashion and Art Magazine

HEL­MUT LANG PRE-FALL 2025: RADICAL CLEAN AND CONTROLLED BEAUTY

Sharp words, clean clothes. Helmut Lang’s new collection arrives like a quiet strike in the middle of chaos. Nothing is excessive, everything is in its place. And yet, there’s no coldness.

There’s restraint — but also body, intention, and a very specific way of saying a lot without raising its voice.

Photographed by Daniel Shea and styled by Jason Rider, the Pre-Fall 2025 collection presents itself as a minimalist manifesto that doesn’t aim to impress, but to refine. In an era overloaded with visual noise, Lang offers clarity: precise cuts, technical materials, clean forms. A quiet, but firm language.

Basics are not so basic. Laser-cut poplin shirts with embroidery that almost disappears into the fabric. Sheer knits with 3D lines that look like textile architecture. Cotton twill zoot pants, boxy charmeuse shirts, malfilé textures... It all speaks to a luxury that isn’t loud but is deeply felt in every seam.

The cocoon pant — with its sculpted volume and tapered leg — perfectly captures the spirit of the collection: classicism that mutates without losing its frame. Up top, the Bustier Shirt or the Uniform Shirt reinterpret uniform codes from a more sophisticated, almost futuristic lens. Oversized pockets, calculated abrasions, surgical precision.

Garment-dyed cotton basics with ombré effects bring a relaxed balance without disrupting the harmony. Logo sweatshirts and tees aren’t here to chase the streetwear wave, but they don’t reject it either. They’re just another note in the conversation. Not everything has to make a statement. Sometimes, it just has to work.

The color palette is sober: surgical whites, deep blacks, concrete-like grays. Everything breathes clarity, geometry, and intention. No frills. No excess. And today, that alone feels revolutionary.

Helmut Lang Pre-Fall 2025 doesn’t ask for your attention. It’s for those who no longer need to shout. For those who choose pieces that accompany rather than disguise. For those who know that real style lives in the details — and that clothes can speak without making noise.



Available now at helmutlang.com. If it leaves you indifferent, maybe it’s not for you. And that’s perfectly fine.

05 June 2025            Online Fashion and Art Magazine

Demna’s Final Matthew Williams Debuts in Paris with His Most Personal Label Yet

Matthew Williams is back. After his departure from Givenchy in 2023, the American designer returns to the heart of fashion with the launch of his namesake label—and he’s doing it in style.

His first collection will debut during Paris Fashion Week, from June 26 to July 1, hosted at Seiya Nakamura’s showroom. But this isn’t just a comeback—it’s a statement of intent.Known for his sharp aesthetic and ability to fuse luxury with streetwear codes—something he mastered at both Givenchy and 1017 ALYX 9SM—Williams is now hitting pause and turning inward.

This new chapter steps away from the breakneck pace of seasonal fashion, embracing a more conscious, meticulous, and lasting form of creation. The result won’t be a trend-driven spectacle, but a thoughtful reflection on craftsmanship, process, and purpose.

The collection centers on material quality and manufacturing excellence. To achieve this, Williams has reunited with long-time collaborators from his 20-year career: an artisanal denim mill in Japan, a jersey fabric specialist in the U.S., and a handmade footwear workshop in Spain. This trusted network forms the foundation of a collection that promises to be as honest as it is sophisticated.

The offering will include both menswear and womenswear—but gender is not the focus. These are garments designed to speak to the body and its function. While ALYX gave us industrial buckles and edgy street silhouettes, and Givenchy reimagined classic elegance, this time Williams invites us into a new space: one where luxury is redefined through authenticity.

The designer, who began his career as Lady Gaga’s creative director and was one of the co-founders of Been Trill, has evolved. He’s no longer chasing impact through excess, but aiming to connect through what’s essential. In an industry overwhelmed by overproduction and creative burnout, his decision to slow down—to do less, but do it better—feels almost revolutionary.

The debut collection remains under wraps, but all signs point to a thoughtful synthesis of experience and vision.

A mature project, free of unnecessary frills, that focuses on substance over spectacle. And while Matthew Williams remains one of the most influential names of his generation, this launch marks a shift: less hype, more intention.

At a time when the fashion world is desperate for new narratives, Williams’ approach feels like a whisper among the noise. An invitation to look closely, to touch the seams, to realize that true luxury may once again lie in what is made with time and purpose.

Could this be the beginning of a new era for the designer? All signs point to yes—and we’ll be watching closely

04 June 2025            Online Fashion and Art Magazine

Demna’s Final Balenciaga Collection Redefines Fashion’s Social Code

Demna’s last collection for Balenciaga, titled Exactitudes, is not merely a seasonal offering—it’s the closing chapter of a transformative era. After nearly a decade redefining the codes of luxury, the designer’s farewell to the Maison is neither nostalgic nor sentimental.

Instead, it functions as a visual and conceptual archive, capturing the essence of his tenure and offering a bold, calculated reflection on fashion as anthropology.

The collection draws deep inspiration from Exactitudes, a long-running photographic project by Ari Versluis and Ellie Uyttenbroek. This documentary series captures people in public spaces, dressed in strikingly similar outfits, exposing the tensions between individuality and conformity.

Demna takes this concept and weaves it into the core of his final show. His garments echo this visual language—uniform yet distinct, standardized yet nuanced. The result is a compelling study of human behavior through clothing.

Every silhouette in Exactitudes is sculpted with mathematical precision. Volumes are exaggerated, proportions are warped, and textures are layered with purpose. There’s an intentional uniformity across the collection, a visual code that blurs the boundaries between luxury fashion and streetwear, between couture and the everyday.

Oversized trench coats, sharply tailored suits, minimalistic bodysuits, and utilitarian accessories form a collective wardrobe that could just as easily be seen on a runway as on the subway.

But make no mistake—this is not just about style. Demna has always used fashion as a medium for political and cultural critique. From his early days at Vetements to his controversial Balenciaga campaigns, his work has consistently interrogated systems of power, taste, and identity.

In Exactitudes, this mission continues with laser focus. The collection asks a fundamental question: What does our clothing say about us?

In a world flooded with fast fashion, curated digital identities, and constant trend turnover, Demna’s final collection refuses to play by the rules. It rejects spectacle for substance, trend-chasing for timeless commentary.

The garments act as mirrors—reflecting social tribes, economic divisions, and aesthetic patterns that shape how we see ourselves and others. There’s no need for logos or branding; the silhouettes themselves carry meaning.

Perhaps the most radical aspect of Exactitudes is its restraint. While Demna is known for provocation and maximalism, here he opts for focus and clarity. The message is sharp: fashion, at its most powerful, is not about impressing—it’s about expressing. Uniforms, often seen as symbols of conformity, are reframed as canvases for personal and cultural identity.

As Demna closes this pivotal chapter at Balenciaga, he leaves behind a legacy that’s impossible to ignore. His work has not only reshaped the Maison but has also redefined the role of a fashion designer in the 21st century. Exactitudes is a fitting conclusion—one that doesn’t just showcase garments, but articulates a worldview.

In the end, Demna’s final message is clear: fashion is not just what we wear. It’s who we are, what we believe, and how we move through the world.

03 June 2025            Online Fashion and Art Magazine

SKIMS Redefines Shapewear With Seamless Shorts and Curves

Kim Kardashian’s shapewear brand, SKIMS, continues to redefine bodywear with innovation and inclusivity at its core. The latest release? A bold, boundary-pushing design: seamless shorts with built-in hips.

This fresh take on foundational garments combines technical construction with body-positive intention—offering wearers not only support and comfort, but also a sculpted, contoured silhouette that enhances natural curves.

SKIMS has long positioned itself at the intersection of comfort, style, and functionality. With this new product, the brand pushes the conversation around shapewear even further. Rather than simply smoothing or compressing, these shorts add volume where desired, specifically at the hips. It’s a design move that speaks to current beauty standards, while also recognizing that not all bodies come with the same natural proportions—and that’s okay.

These hip-enhancing shorts are carefully engineered. They feature a closed gusset for added comfort and hygiene, a snug yet flexible elastic waistband, and a straight-leg cut that avoids rolling or digging in. Most notably, the garment is constructed without seams—ensuring an ultra-smooth finish that disappears under clothing. This seamless design is a hallmark of SKIMS’ quality and attention to detail. It also makes the shorts more wearable for long periods, eliminating discomfort or marks on the skin.

By introducing built-in shape enhancements, SKIMS isn’t just selling underwear—it’s delivering wearable confidence. These shorts are ideal for individuals who want to amplify their silhouette under dresses, skirts, or trousers, without the hassle of extra padding or layering. The integrated hips create a more defined hourglass figure instantly, offering a quick style solution without compromising on comfort or aesthetic.

Of course, this innovation also invites conversation about body ideals and the evolution of shapewear. While traditional shapewear was mostly about slimming and flattening, this new generation embraces the idea of shaping in all directions: adding where needed, not just subtracting. SKIMS’ built-in hip shorts fit right into this narrative, proving that bodywear can be both transformative and empowering, no matter what your natural figure looks like.

As with all SKIMS products, the shorts are expected to come in a range of sizes and skin-tone shades, maintaining the brand’s commitment to diversity and inclusivity. Since its inception, SKIMS has been praised for offering products that cater to a wide spectrum of body types and tones—ensuring that no one is left out of the conversation around modern femininity and self-expression.

With these hip-enhancing shorts, SKIMS offers yet another reason why it remains at the forefront of intimate wear innovation. Seamless, smartly designed, and aimed at celebrating every curve, this new product blurs the line between function and fashion—and once again, puts SKIMS at the center of the shapewear revolution.

Expect these shorts to quickly become a wardrobe staple for those seeking subtle enhancement with maximum comfort. Available soon on skims.com, they might just change the way we think about dressing from the inside out.

03 June 2025            Online Fashion and Art Magazine

Aries x KFC: Roman Decadence Meets Streetwear Heat

In an unexpected yet inspired collaboration, London-based streetwear brand Aries has joined forces with KFC to create a limited-edition capsule collection titled Gravy Drip.

Far from a gimmick, this collection brings together two seemingly opposite worlds—high fashion and fast food—under a shared banner of indulgence, creativity, and cultural relevance. The result is a 10-piece collection that blends the extravagance of ancient Rome with the contemporary irreverence of streetwear and the comforting nostalgia of KFC’s iconic gravy.



At the heart of Gravy Drip is a clever juxtaposition: couture meets comfort food. Aries and KFC have designed garments and accessories that take inspiration from lavish Roman feasts and reinterpret them through a modern fashion lens.

This includes digitally printed denim featuring scenes of indulgent banquets, hand-dripped leather jackets, and accessories like a golden chicken drumstick pendant that adds a tongue-in-cheek yet luxurious twist to the collection. A ceramic gravy boat—a symbol of the collaboration’s theme—is also part of the mix, bridging the gap between functional and decorative.

One of the standout qualities of this partnership is how it reflects both brands' ability to poke fun at themselves while maintaining a clear design vision. Aries, known for its subversive, art-driven take on streetwear, brings its signature blend of irony, bold graphics, and cultural commentary. Meanwhile, KFC embraces the collaboration with a sense of humor and an eye toward elevating its brand beyond the traditional fast food realm.

The collection doesn't just play on visual aesthetics. It’s also a cultural statement—an exploration of how fashion and food intersect in the public imagination. In a world where streetwear often blurs into art and lifestyle, the Gravy Drip capsule taps into current trends that value bold identity, humor, and maximalism. The Roman references add a historical layer of decadence and celebration, inviting consumers to indulge not just in clothing or food, but in an attitude of playful excess.

Price points range from £12 to £1,400, making the collection accessible at various levels while still preserving an exclusive, high-fashion edge. It's available exclusively through ariesarise.com, reinforcing Aries' tight-knit relationship with its community and its dedication to curated drops.

Ultimately, Gravy Drip is more than a fashion collaboration—it’s a cultural mash-up that highlights the evolution of both streetwear and brand partnerships. In an age where collabs often feel forced or overly commercial, Aries and KFC manage to pull off something truly original.

They challenge our assumptions about taste, both culinary and aesthetic, and in doing so, create a capsule that’s as thought-provoking as it is wearable.

This is not just a moment of novelty; it’s a reflection of how today’s fashion can be witty, extravagant, and inclusive all at once. Gravy Drip invites fans of both fashion and food to lean into the absurd, celebrate excess, and enjoy the ride—gravy and all.

03 June 2025            Online Fashion and Art Magazine

Summer Lovers by Dsquared2: Bold, Sexy, Free-Spirited Fashion Reborn

Dsquared2’s latest capsule collection, Summer Lovers, is a vibrant, sensual celebration of freedom, desire, and the raw joy of summer.

Far beyond typical beachwear, this collection captures the spirit of that unforgettable summer—the one that smells like sea salt, sunburned skin, and damp clothes drying to the beat of reggaeton in the distance. It’s a season suspended in time, made of glances exchanged between sunlit bodies, and this precise feeling is what Dean and Dan Caten have stitched into every piece of the collection.

The silhouettes are second-skin: intimate, intentional, and undeniably bold. Bikinis are stripped down to their essentials—strategic triangle cuts, adjustable ties, and prints that don’t ask for attention, they demand it. Swimwear and shorts follow with a relaxed yet calculated fit—crafted to look effortless, but designed to provoke. There’s an art to wearing something that feels casual but leaves a lasting impression, and Summer Lovers nails that balance.

Color plays a starring role. Electric fuchsias, tangy oranges, and lush greens channel the saturated aesthetic of a cult film set on the Amalfi Coast in the early 2000s. Nothing here whispers—everything shouts. This boldness is where the Caten brothers shine, elevating beachwear into something more expressive: an extension of ego, a mirror of pleasure, a wardrobe for desire in its purest form.

Yet, Summer Lovers goes beyond visuals. There’s an intention behind the aesthetics. This collection isn’t just designed to make you look good on the shore—it’s built to survive yacht parties, beach bar dances until 4 a.m., and lazy midday naps under palm trees. The true luxury lies in the details: quality fabrics, flawless finishes, and the invisible stitching that fuses elegance with freedom.

What makes Summer Lovers truly special is its audience. It's for those who fall in love over a long weekend, who miss brunch because they chased the sunrise from a secret cove. It's for the ones who live summer like an indie film—shot on 16mm, with a soundtrack of house music and sweat. The collection isn’t about summer as a season, but as a state of mind: spontaneous, sensual, and slightly wild.

Ultimately, Dsquared2 has delivered more than just a fashion line—they’ve created an experience. One that blends hedonism with high fashion, impulse with craftsmanship, and fantasy with functionality. Summer Lovers invites you to dive headfirst into summer with no apologies and no filter.



The full collection is now available at dsquared2.com.

03 June 2025            Online Fashion and Art Magazine

Adolescence Reveals How Shame Fuels Toxic Masculinity in Youth

+ CULTURE & ART

The Netflix series Adolescence explores how unprocessed shame in young boys leads to violence, insecurity, and emotional repression.
Through fictional and real-life cases, it highlights the urgent need for emotional education.
It’s a powerful wake-up call to see, guide, and heal.

Netflix’s Adolescence has delivered an emotional blow to many viewers—not only because of its brilliant storytelling and performances, but because of how deeply it addresses one of society’s most overlooked issues: male emotional fragility and how shame can evolve into violence. The story, while fictional, feels painfully real.

The series centers around Jeremy, a 13-year-old boy who murders a classmate after feeling rejected. His crime isn’t just an overreaction—it’s the result of years of unprocessed emotions: insecurity, fear, humiliation, and above all, shame. Jeremy is not portrayed as a monster, but as an extreme reflection of a silent reality many young boys are living.

Through therapy sessions, the character reveals his desperate need for validation. Questions like “Do you like me?” or “Do you think I’m ugly?” aren’t just idle remarks—they’re cries for help. The series makes it clear that behind many aggressive male behaviors lie invisible wounds no one taught them to care for. While we teach boys to treat physical injuries, we rarely offer tools for healing emotional ones.

And this issue isn’t limited to fiction. Real-life cases like those of Elianne Andam, Holly Newton, and Ellie Gould—young girls murdered by ex-boyfriends who couldn’t handle rejection—prove that masculinity built on dominance and emotional repression can have fatal consequences. These tragedies reveal a pattern: when rejection touches an untreated wound of shame, the result can be devastating.

The influence of figures like Andrew Tate, who promote a distorted version of masculinity based on power, control, and emotional detachment, only deepens the problem. These narratives don’t just fuel misogyny; they convince boys that emotion is weakness, that dominance is the path to respect, and that kindness is a flaw.

The author of the original analysis confesses she always wanted to be a mother, hoping to raise a son who would be different. But after watching Adolescence, she questions whether it’s possible to protect a child from a world that starts shaping them so early with toxic ideas about love, worth, and masculinity.

The solution isn’t to deny masculinity but to rebuild it. We must teach boys to feel, to speak, and to heal. To understand that rejection doesn’t make them worthless. That kindness doesn’t make them weak. And most importantly, that asking for help is a strength—not a shame.



Adolescence is an urgent wake-up call. It forces us to truly look at boys, to listen to them, and to stop turning away when their pain starts to show. Because if we ignore their emotions today, they may become tomorrow’s tragedies.

“Let’s look at them. Let’s see them. And let’s not look away.”

03 April 2025            Online Fashion and Art Magazine